O.Chat > Poetry - Share your favorites
KEEPING A JOURNAL by William Stafford
At night it was easy for me with my little candle
to sit late recording what happened that day. Sometimes
rain breathing in from the dark would begin softly
across the roof and then drum wildly for attention.
The candle flame would hunger after each wafting
of air. My pen inscribed thin shadows that leaned
forward and hurried their lines along the wall.
More important than what was recorded, these evenings
deepened my life: they framed every event
or thought and placed it with care by the others.
As time went on, that scribbled wall -- even if
it stayed blank -- became where everything
recognized itself and passed into meaning.
THE SUN by Mary Oliver
Have you ever seen
anything
in your life
more wonderful
than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon
and into the clouds or the hills,
or the rumpled sea,
and is gone--
and how it slides again
out of the blackness,
every morning,
on the other side of the world,
like a red flower
streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance--
and have you ever felt for anything
such wild love--
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure
that fills you,
as the sun
reaches out,
as it warms you
as you stand there,
empty-handed--
or have you too
turned from this world--
or have you too
gone crazy
for power,
for things?
If anyone comes here to just read the poetry, I'd appreciate knowing that. Any remarks on the poetry would also be appreciated, if anyone is reading.
I love poetry, and I love sharing some of my favorites. Picking the best to share out of the many forces me to re-read, which is helping my writing a lot.
Here's for anyone who teaches:
LIT PROFESSOR by William Stafford
Day after day up there beating my wings
with all the softness truth requires
I feel them shrug whenever I pause:
they class my voice among tentative things,
And they credit fact, force, battering.
I dance my way toward the family of knowing,
embracing stray error as a long-lost boy
and bringing him home with my fluttering.
Every quick feather asserts a just claim;
it bites like a saw into white pine.
I communicate right; but explain to the dean—
well, Right has a long and intricate name.
And the saying of it is a lonely thing.
Hi Willow,
I read all the poems and I truly appreciate you taking the time to share them with us.
Growing up our family's favorite poet was Paul Laurence Dunbar. The following poem brings back so many childhood memories as I can now still hear my sisters and I reciting aloud in rhythmic tone as a chant song back in forth.
In the Morning by Paul Laurence Dunbar
'LIAS! 'Lias! Bless de Lawd!
Don' you know de day's erbroad?
Ef you don' git up, you scamp,
Dey'll be trouble in dis camp.
Tink I gwine to let you sleep
W'ile I meks yo' boa'd an' keep?
Dat's a putty howdy-do--
Don' you hyeah me, 'Lias --you?
Bet ef I come crost dis flo'
You won’ fin’ no time to sno'
Daylight all a-shinin’ in
W'ile you sleep --w'y hit's a sin!
Aint de can'le-light enough
To bu'n out widout a snuff,
But you go de mo'nin' thoo
Bu'nin' up de daylight too?
'Lias, don’ you hyeah me call?
No use tu'nin' to'ds de wall;
I kin hyeah dat mattuss squeak;
Don' you hyeah me w’en I speak?
Dis hyeah clock done struck off six-
Ca'line, bring me dem ah sticks!
Oh, you down, suh; huh, you down--
Look hyeah, don' you daih to frown.
Ma'ch yo'se'f an wash yo' face,
Don' you splattah all de place;
I got somep'n else to do,
'Sides jes' cleanin' aftah you.
Tek dat comb an' fix yo' haid!--
Looks jes’ lak a feddah baid.
Look hyeah, boy, I let you see
You sha' n't roll yo' eyes at me.
Come hyeah; bring me dat ah strap!
Boy, I'll whup you 'twell you drap;
You done felt yo’se’f too strong,
An' you sholy got me wrong.
Set down at dat table thaih;
Jes' you whimpah ef you daih!
Evah mo'nin' on dis place,
Seem lak I mus' lose my grace.
Fol' yo' han's an' bow yo' haid--
Wait ontwell de blessin' 's said;
"Lawd, have mussy on ouah souls--"
(Don' you daih to tech dem rolls--)
"Bless de food we gwine to eat--"
(You set still --I see yo' feet;
You jes' try dat trick agin!)
"Gin us peace an' joy. Amen!"
THANK YOU! I'm so excited that two people responded to my poems.
Thank you for letting me know that you read them, Nyon.
And thank you, boazwife, for that wonderful poem. This is my introduction to Paul Lauarence Dunbar. I'm going to be looking at more of his poems in the internet. What fabulous musicality! What fun it would have been to chant it back and forth. The poem delivers the story complete with characters I can feel and the place I can see. If you have other favorites, please post them.
I know nothing of black poets from Dunbar's time. I must confess that the only Black poet I have any real familiarity with (aside from musicians) is Langston Huges. I would just love to know more about the black poets, and the meaning of their poems to the people who knew and recited them.
Please share more, boazwife, and anyone else. I love getting this peak into the riches of your culture and history.
Who are considered to be the most important black poets? Who are the most prominent writers of the spoken word? If I just knew the names to look for, I can probably find their stuff on Youtube or by Google.
Thanks so much.
Correction: I am quite familiar with the fabulous Maya Angelou. Also, I was introduced to Elizabeth Alexander through her poem read at Obama's inauguration.
I was enjoying some of those marvelous black musicians last night, sparked by a notice in our paper saying that Keb Mo would be here at our Blues Festival over the weekend. I LOOOOOVE this type of blues. There is nothing like it to satisfy something deep in the soul and in the bones.
For those not familiar, here is a sample of Robert Johnson:
http://www.youtube.com/watch?v=Yd60nI4sa9A
Keb Mo here: http://www.youtube.com/watch?v=Pl9NkY6_IMY
In both cases, you can find lots more once you're there.
I will tell the truth and say that I am not an avid poetry reader, but when brought to my attention I definitely appreciate it and enjoy it. I went to a HBCU (Historically Black College/University) so African American literature was a core class. There are some Black poets that I studied and remember to this day. Well of course, there is Nikki Giovanni. She was a big deal at my school because she was a student. (BTW, the school is Fisk University). Another poet I admire is Phyllis Wheatly. She was a slave that learned how to read and write. I wrote a paper about this couragous and inspiring woman. Other great African American poets include:
Richard Wright
Countee Cullen
Alice Walker (author of color purple)
James Weldon Johnson
There are many great African American poets and writers, but these are the ones that I can name off the top of my head, well, other than the ones that have already been mentioned above.
Here's a Phyllis Wheatlley Poem about being brought from Africa to America.
'Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there's a God, that there's a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
"Their colour is a diabolic die."
Remember, Christians, Negro's, black as Cain,
May be refin'd, and join th' angelic train.
Nyon - thank you so much for the poem, and for the list of poets. Of course I know Alice Walker. I'll be looking up Phyllis Wheatley as well.
I just learned that Maya Angelou lifted the name of her book "I Know Why the Caged Bird Sings" straight from Paul Lawrence Dunbar's poem, "Sympathy". If he were alive at the time, there could have been copyright tensions, unless she credits him somewhere, I don't know.
SYMPATHY by Paul Laurence Dunbar
I KNOW what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals--
I know what the caged bird feels!
I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting--
I know why he beats his wing!
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,--
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings--
I know why the caged bird sings!
Growing up I probably read every poem Langston Hughes wrote, I loved him.
There is also a poet Amiri Baraka he changed his name from Leroi Jones he was fabulous; he came to visit my college campus; I felt like I was meeting a rock star. Also Gwendolyn Brooks she is from Chicago and was the poet laureate for the State of Illinois for many years. And one more Nikki Giovanni; she is really good.
Below are two of my all time favorite Paul Laurence Dunbar poems even though I love them all. About 12 or so years ago I found some very old books of his poetry in an Antique store. We had worn ragged the book we grew up with, but I still have it.
A Negro Love Song
Seen my lady home las' night,
Jump back, honey, jump back.
Hel' huh han' an' sque'z it tight,
Jump back, honey, jump back.
Hyeahd huh sigh a little sigh,
Seen a light gleam f'om huh eye,
An' a smile go flittin' by --
Jump back, honey, jump back.
Hyeahd de win' blow thoo de pine,
Jump back, honey, jump back.
Mockin'-bird was singin' fine,
Jump back, honey, jump back.
An' my hea't was beatin' so,
When I reached my lady's do',
Dat I could n't ba' to go --
Jump back, honey, jump back.
Put my ahm aroun' huh wais',
Jump back, honey, jump back.
Raised huh lips an' took a tase,
Jump back, honey, jump back.
Love me, honey, love me true?
Love me well ez I love you?
An' she answe'd, "'Cose I do"--
Jump back, honey, jump back.
Paul Laurence Dunbar
Below is probably my favorite poem of all time:
THE COLORED SOLDIERS
If the muse were mine to tempt it
And my feeble voice were strong,
If my tongue were trained to measures,
I would sing a stirring song.
I would sing a song heroic
Of those noble sons of Ham,
Of the gallant colored soldiers
Who fought for Uncle Sam!
In the early days you scorned them,
And with many a flip and flout
Said "These battles are the white man's,
And the whites will fight them out."
Up the hills you fought and faltered,
In the vales you strove and bled,
While your ears still heard the thunder
Of the foes' advancing tread.
Then distress fell on the nation,
And the flag was drooping low;
Should the dust pollute your banner?
No! the nation shouted, No!
So when War, in savage triumph,
Spread abroad his funeral pall --
Then you called the colored soldiers,
And they answered to your call.
And like hounds unleashed and eager
For the life blood of the prey,
Spring they forth and bore them bravely
In the thickest of the fray.
And where'er the fight was hottest,
Where the bullets fastest fell,
There they pressed unblanched and fearless
At the very mouth of hell.
Ah, they rallied to the standard
To uphold it by their might;
None were stronger in the labors,
None were braver in the fight.
From the blazing breach of Wagner
To the plains of Olustee,
They were foremost in the fight
Of the battles of the free.
And at Pillow! God have mercy
On the deeds committed there,
And the souls of those poor victims
Sent to Thee without a prayer.
Let the fulness of Thy pity
O'er the hot wrought spirits sway
Of the gallant colored soldiers
Who fell fighting on that day!
Yes, the Blacks enjoy their freedom,
And they won it dearly, too;
For the life blood of their thousands
Did the southern fields bedew.
In the darkness of their bondage,
In the depths of slavery's night,
Their muskets flashed the dawning,
And they fought their way to light.
They were comrades then and brothers.
Are they more or less to-day?
They were good to stop a bullet
And to front the fearful fray.
They were citizens and soldiers,
When rebellion raised its head;
And the traits that made them worthy,--
Ah! those virtues are not dead.
They have shared your nightly vigils,
They have shared your daily toil;
And their blood with yours commingling
Has enriched the Southern soil.
They have slept and marched and suffered
'Neath the same dark skies as you,
They have met as fierce a foeman,
And have been as brave and true.
And their deeds shall find a record
In the registry of Fame;
For their blood has cleansed completely
Every blot of Slavery's shame.
So all honor and all glory
To those noble sons of Ham --
The gallant colored soldiers
Who fought for Uncle Sam!
Paul Laurence Dunbar
Wow! Boazwife, thank you so much. "The Colored Soldiers" makes my heart swell and sends a chill up my spine. What powerful sentiments about incredible heroism in the face of such prejudice. I need to read both of those poems over and over again when I'm not so tired.
As I feast on Paul Laurence Dunbar's writing, I think he's a genius. There's a perfection about his compositions -- a perfect selection of subject, the perfect choice of words to convey the perfect images and emotions. There's a perfect balance and music, whether he's writing in dialect or not. He reminds me of my beloved Mozart, who wrote perfect music. And they share the same prolific writing and premature death. I'm so excited that you introduced him here.
Reading him will enlarge my life and make me a better person. Thank you.
What a very sweet and tender love song. Perfect music.
I almost forgot. I was just going to post this little poem I found. Dunbar wrote with insight and maturity beyond his years, didn't he? A great mind and soul, and sense of humor, too.
ACCOUNTABILITY by Paul Laurence Dunbar
FOLKS ain't got no right to censuah othah folks about dey habits;
Him dat giv' de squir'ls de bushtails made de bobtails fu' de rabbits.
Him dat built de gread big mountains hollered out de little valleys,
Him dat made de streets an' driveways wasn't shamed to make de alleys.
We is all constructed diff'ent, d'ain't no two of us de same;
We cain't he'p ouah likes an' dislikes, ef we'se bad we ain't to blame.
Ef we'se good, we need n't show off, case you bet it ain't ouah doin'
We gits into su'ttain channels dat we jes' cain't he'p pu'suin'.
But we all fits into places dat no othah ones could fill,
An' we does the things we has to, big er little, good er ill.
John cain't tek de place o' Henry, Su an' Sally ain't alike;
Bass ain't nuthin' like a suckah, chub ain't nuthin' like a pike.
When you come to think about it, how it's all planned out it's splendid.
Nuthin's done er evah happens, 'dout hit's somefin' dat's intended;
Don't keer whut you does, you has to, an' hit sholy beats de dickens,--
Viney, go put on de kittle, I got one o' mastah's chickens.
I just searched our county library, and there are 49 entries for Paul Laurence Dunbar. I put just one collection of his best poems and prose on hold. Such restraint! I'm sure I'll be getting more, too.
With the wonderful new list of poets you two have provided, I'm going to be doing a lot more reading than writing... but "We gits into su'ttain channels dat we jes' cain't he'p pu'suin'." Right? :-)
GOOD thread. Great poems! I laughed out loud at: "Don' you daih to tech dem rolls", that's too funny. I will be looking for more Paul Laurence Dunbar myself.
I loved poetry as a child - when I was at school I loved the ones we were made to study. The Lady of Shallott, The Eve of St Agnes was another - I'm sure there was one about an elf queen that was just as florid and gothic and right up my drama queeny street. I just loved the language - it was like looking at a painting but with words and you could go as far as your imagination let you. When I was studying theatre, I adored doing Shakespeare because the rhythm's are faultless. They take you where you need to go.
In later years I've gone through phases of reading poems. This is one of my favourites by Robert Graves.
She tells her love while half asleep,
In the dark hours,
With half words whispered low;
As earth stirs in her winter sleep
And puts out grass and flowers
Despite the snow,
Despite the falling snow.
For my wedding, our best man read "Us Two" from A.A.Milne's book, Now We Are Six:
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he.
"That's how it is," says Pooh.
I was a fan of Spike Milligan all my life, in The Goon Show and as a writer. I taped the show "An Audience With..." and still watch it occasionally now. Known for his unending humour and surreal view of life, it was all the more surprising and moving when he read "My Boyhood Dog":
Boxer, my Boxer,
where do you lie?
Somewhere under
a Poona sky.
Ah! my canine,
total joy
you were to me
when as a boy
we coursed the wind
and ran the while,
no end in sight,
mile after mile.
I was to you
and you to me
locked in a bond
eternally.
They never told me
when you died
to spare me pain
in case I cried.
So then to
those adult fears
denied you then,
my childhood tears.
Hi Posh - It's good to see you here. Thanks for the great contributions. I don't have the energy to respond as enthusiastically as I would like as my Sweetie had minor surgery yesterday, and I was at the hospital all day. I got him home today, and he is napping. He'll be home for about two weeks. I'll need some of that time to recover, too. ;-)
I printed out as many of Dunbar's poems as I could in a hurry to take to the hospital with me (about 8). He's such a sweet companion.
Here's a sweet and accessible poem by the often enigmatic and always fabulous Emily Dickinson:
HOPE by Emily Dickinson
Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
I do not know why, but I have always loved this poem, I think its the rhythm and that it is so well written.
O Captain My Captain
a poem by Walt Whitman
O Captain my Captain! our fearful trip is done,
The ship has weathered every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up--for you the flag is flung for you the bugle trills,
For you bouquets and ribboned wreaths for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You've fallen cold and dead.
My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchored safe and sound, its voyage closed and done;
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
Wow, Emily Post makes poetry seem so effortless.
Some classic Langston Hughes
Mother to Son
Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now—
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.
Dream Deferred
What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
Thanks, Boazwife. Walt Whitman is wonderful. I think the first line of that poem was used in that movie with Robin Williams, "Dead Poets Society", perhaps more than the first line.
I've got to read more of Langston Hughs. He's fabulous. I love that poem.
Here's another Emily Dickinson that I came upon tonight. She did not give titles to most of her poems:
HE ate and drank the precious words,
His spirit grew robust;
He knew no more that he was poor,
Nor that his frame was dust.
He danced along the dingy days,
And this bequest of wings
Was but a book. What liberty
A loosened spirit brings!
-- Emily Dickinson
When I began this thread, I said that I find my inspiration in poetry, (and not so much in church.)
I felt a resonance with Dunbar when I read the following:
A CHOICE by Paul Laurence Dunbar
They please me not-- these solemn songs
That hint of sermons covered up.
'T is true the world should heed its wrongs,
But in a poem let me sup,
Not simples brewed to cure or ease
Humanity's confessed disease,
But the spirit-wine of a singing line,
Or a dew-drop in a honey cup!
It seems a similar sentiment to Emily Dickinson's, who shares my feeling as a nature mystic:
Some keep the Sabbath going to Church --
I keep it, staying at Home --
With a Bobolink for a Chorister --
And an Orchard, for a Dome --
Some keep the Sabbath in Surplice --
I just wear my Wings --
And instead of tolling the Bell, for Church,
Our little Sexton -- sings.
God preaches, a noted Clergyman --
And the sermon is never long,
So instead of getting to Heaven, at last --
I'm going, all along.
--Emily Dickinson
Boazwife - Sorry - I love BOTH of the Langston Hughs poems you posted. I'll be greedily drinking in any more you've got. Thank you.


I thought it might be fun for the poetry lovers among us, and those who wish to be introduced to it, to share some of favorite poems here. Personally, I find some of my best inspiration coming from the poets. I think I'll post one here whenever the mood strikes me, and I invite others to do the same.
Dream Variations by Langston Hughs
To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me--
That is my dream!
To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
Black like me.